Scat singing has a long and illustrious history, dating back to the 1920s. Scat Singing: A Unique And Essential Form Of Vocal Expression Scat Singing, also known as Scat Singing, is a jazz vocal style in which emotional, onomatopoeic, and nonsense syllables are used instead of words in solo order. Skat is a challenging and exciting card game that is enjoyed by people of all ages. The game is played with a deck of 32 cards and is typically played with three players, but can also be played with four or more players. Skat is a popular card game that is played in Germany and other parts of Europe. The game is won by the player with the most points at the end of the game. The aim of the game is to score as many points as possible by taking tricks and winning card combinations. The game is played with a deck of 32 cards, and each player is dealt 10 cards. It is typically played with three players, but can also be played with four or more. This is a nice blues album mixing West Coast and traditional blues sounds and a lot more into a fine album that I enjoyed listening to.Skat is a card game that originated in Germany in the early 1800s. His harp work is great and the supporting musicians do a stellar job. Nicely done.Īvery sings with an interesting breathiness. Avery concludes with “Looking Over A Rainbow,” a thoughtful ballad with simple piano accompaniment. Avery introduces his flute on “Green Wave,” a heady and jazzy instrumental piece. It’s a slick instrumental where he sings a little for punctuation. Avery takes us to the Delta on “ Riding With The Devil,” featuring some great dobro along with his harp. A stinging guitar solo is also offered up. “Safety First” is a nice West Coast blues tune with piano and horn merges Blind Willie McTell and Big Joe Turner into a cool an Avery musical concoction. John Mayall’s “Sonny Boy, Blow!” swings nicely with piano accompaniment and lots of savory harp work. The guitar riff drives the cut and the horns add a nice feel. The funk comes out in the mostly instrumental “Good To Me.” Avery does skat/rap a bit and blows some greasy chromatic harp. “Leaving Trunk” is a solo cut with just Avery singing and blowing with emotion. “How Long Can This Last?” follows with a slow and thoughtful opening that changes to a driving song with cool horns, piano, harp and guitar. “Blind Owl Boogie” is a big, jumping mostly instrumental cut with great harp and a superb groove. “Jelly, Jelly” has a traditional, down home feel with a stripped down performance with some tasty harp and guitar. A Little Walter cut, Avery does a fine job on the harp here. “Just Keep Loving Her” is another swinging cut and romps and jumps all over. Wailing slide and gritty harp are featured here. The band rocks out a bit on the mid tempo “Malibu Burnin’”. Slide guitar and harp help make this one quite good. The title track is a slower blues with a bit of a down home feel. He blows some nice harp and there is also well done guitar work. He starts off with Billy Boy Arnold’s “Bad Luck Blues,” a nice little West Coast jumping blues. Joining Avery are Carl Sonny Leland on piano, Frank Goldwasser on guitar, Ralph Carter on bass, bongos and organ, Johnny Morgan on drums, Aaron Liddard on sax, Jerome Harper on trombone and Simon Finch on trumpet. He recorded this with the aid of Ralph Carter who produced, engineered and mixed it and it was recorded in Ralph’s Garage in Ventura. Three covers and eleven originals showcase his songwriting skills. It was finally finished in 2022 and now is released for all to enjoy. He continues his love of the harp and has studied with many of the great harp players his love of West Coast music led to this album getting started in 2019. He also taught himself how to play harp in the 1970’s and was later befriended by Robbie Krieger of the Doors. Avery was deep into the LA jazz scene in the 1960’s and got into the big rock bands of the era which led to his becoming lead singer in a band in high school.Īvery recorded and toured the world and also took up photography and became a renowned sports photographer. He picked up trumpet at 8 years of age and then the flute as a teen. Born in Los Angeles, Douglas Avery began his musical journey at age 5 singing in the school choir.
0 Comments
Leave a Reply. |